We Can’t Wait ‘Til We’re Ready

We Can’t Wait ‘Til We’re Ready

I’ve always known the call to write. Mom supported my efforts, placing a small table in the dormitory-style room that held beds for me, my siblings, and our grandmother. The writing space didn’t last long; getting into closets on either side required sliding the desk one way or the other. But the message was clear: Mom knew I was a writer.

I wrote away, crafting stories in class instead of doing assignments, sending articles and poetry to magazines and contests. When I became a young mother, working around loads of laundry and late-night feedings, I filled journals and wrote what was in my heart.

“Someday I’d like to have a column,” I confided to a friend. His response was that I didn’t have the credentials or enough published work. Undeterred, I continued submitting work.

Persistence paid off. A few articles were published. One led to a book contract. Eventually, the editor of this paper offered the opportunity to write a column. I said “yes” then spent the next few weeks worrying how to find topics for a year’s worth of column inches.

I thought about my writer’s journey recently – small steps taken without courses or credentials, just trust in a knowing that stirred within – after reading a line in Mark’s gospel. Having finished speaking from a boat to a crowd on shore, Jesus asked his friends to take him to the other side of the lake. He needed some downtime, and they obliged: Leaving the crowd, they took Jesus with them, just as he was.

What did that mean – just as he was? What was the alternative? Giving him time to go home, pack some food and grab another tunic?  Wasn’t Jesus always ready, just as he was? Aren’t we all?

It’s tempting to think we can move forward only after becoming better prepared, but despite feelings to the contrary, deep down, we are ready to take next steps in our lives. Jesus knew that. He didn’t look for perfect people to join in his work. He didn’t wait until they had studied up on their scripture or understood everything he was saying. He called them, just as they were, trusting they’d learn and grow as they walked with him.

We will, too. We’re called to contribute to the holy work of building the beloved community, just as we are.

We might be full of fear and anxiety. Maybe we’re burdened by the weight of injustice or buoyed by unrecognized privilege. Maybe anger saps our energy or optimism gives it a boost. Whatever we carry, wherever we stand, when we give ourselves to it, the journey will change us. One way or another, it offers what we need to take another step, no matter how small. It may require a change of direction or going places we’d rather not go. (In Mark’s story, Jesus and his buddies were unknowingly headed into a storm.)

I write this after a momentous two weeks. White supremacy, hate, division, and violence were on display during the January 6 insurrection at the Capitol Building. U.S. deaths from Covid-19 topped 400,000. The inauguration of the new president and vice president proceeded without incident, but in a city fortified with thousands of troops. In his speech, President Biden called for healing and unity in meeting “these cascading crises.” Amanda Gorman called us to be brave enough not only to see the light but to be the light in her poem The Hill We Climb.

These times call for action. From everyone. These times pose questions: How to bend the moral arc towards justice? How to root out systemic racism? How to combat the coronavirus? How to restore respect and commitment to the common good? I can’t wait until I’m “ready.” None of us can.

We have to go, just as we are. Now. And trust in a few things: Love dwells within each of us. Sinking into to quiet, connecting to that Presence, we are empowered to share that Divine spark. When we do, we help transform the world, bit by bit. We are enough. We are a work in progress. Together, we are The Work in progress.

When life is overwhelming, I remember: I don’t go alone. None of us do.

© 2021 Mary van Balen

 Take the first step in faith. You don’t have to see the whole staircase, just take the first step.

attributed to Martin Luther King Jr. by Marian Wright Edelman in Mother Jones 1991
Lent: Letting Love Enter In

Lent: Letting Love Enter In

vigil candle burning with warm glowOn Ash Wednesday I took tentative steps into the Lenten season. I wasn’t sure what disciplines to embrace, but that morning I lit a candle and sat quietly in prayer before going through liturgical readings for the season. I attended a noon service and stood in line to receive ashes on my forehead, remembering that I was dust and someday, to dust would return.

After work I made a few calls checking on a friend who had undergone surgery for a broken hip, chatting with a daughter who was celebrating a birthday, and catching up with someone I hadn’t seen in a while.

Then again, a prayer candle burned as I read through the lectionary one more time. Lent is full of powerful readings.

They include passages that remind us the most important commandment is to love and care for others, especially the least among us. And when we do, Jesus tells us, we are caring for him. Isaiah insists that the sacrifices God wants aren’t the drooping of ash-covered heads or the rending of garments.

That’s not the drama the Holy One desires. No, the desired actions are more along the lines of freeing the oppressed, sharing food, taking care of the marginalized, being civil in speech, and working for justice – all facets of the Love commandment.

There’s the Samaritan woman who’s the first to recognize Jesus as the Messiah. After accepting the truth about her own life and also the love offered to her by Jesus, she hurries back to town, telling everyone that she has met the Messiah, right over there at the community well.

Instructing the people to repent of their wrongdoing, Nineveh’s king showed humility and sincerity that changed God’s mind about destroying the city. Queen Esther beseeches God for help in foiling the enemy’s plan and turning her husband’s heart in order to save her people.

These are just a smattering. But in the midst of the more grand and familiar passages sits a small one from Isaiah, just two verses. They grab my heart. Maybe it’s the simple comparison of the life-bringing fall of rain and snow onto the earth to the transforming entrance of God’s word into the universe:

Just as from the heavens / the rain and snow come down / And do not return there / till they have watered the earth, / making it fertile and fruitful, / Giving seed to the one who sows / and bread to the one who eats, / So shall my word be / that goes forth from my mouth; / It shall not return to me void, / but shall do my will, / achieving the end for which I sent it.

 I’m not sure how that works, but it is hopeful in a time when hope is difficult to find.

This passage reminds me of short poem, Indwelling, by Thomas E Brown, an 19th century scholar, teacher, poet, and theologian born on the Isle of Man.

close up of shell on purple cloth

PHOTO: Mary van Balen

 

If thou could’st empty all thyself of self,

Like to a shell dishabited,

Then might He find thee on the ocean shelf,

And say, “This is not dead,”

And fill thee with Himself instead.

 

But thou are all replete with very thou

And hast such shrewd activity,

That when He comes He says, “This is enow

Unto itself – ’twere better let it be,

It is so small and full, there is no room for me.”

… … … 

The connection between the two? Indwelling suggests to me why God’s word does not return without doing what it was sent to do. It is a living Word that dwells within each of us. As Brown writes, the more we empty ourselves of false selves, of cluttering activity, the more Divine Love can fill us and do its work.

We participate in the Word fulfilling mission – as Jesus prays at the Last Supper – to bring all together in love, united with the One who sent him.

Whatever disciplines fill Lent, may they be ones that allow more Love to enter in.

© 2020 Mary van Balen

No One Can Say I Didn’t Sing

No One Can Say I Didn’t Sing

Photo of Carnegie Hall program for Florence Foster Jenkins

Carnegie Hall Program By Anonymous [Public domain or Public domain], via Wikimedia Commons

Originally published in The Catholic Times—September 10, 2016 issue

Inspiration comes from unexpected places, like a movie theater on a Saturday morning. The name Florence Foster Jenkins first came to my attention while listening to National Public Radio on WOSU. She was a wealthy woman, born in Pennsylvania in 1868, who loved music from an early age and who, in later life, embarked on a quest to become a professional singer. The catch was, well, she couldn’t sing.

Unsure what to expect, I settled into my seat and watched a most unusual story unfold. I was prepared to dislike Florence—a New York socialite who belonged to all the right clubs and moved in upper class social circles, someone who, I imagined could buy her way into anything she wanted. Indeed, she eventually did rent Carnegie Hall. To my surprise, something about Florence won my heart.

Avoiding movie details in case some of you plan to see it, I’ll share a few things I learned about her through a bit of research. She was born into a wealthy family but gave it all up to follow her passion. Her father wanted her to stay home, to become a wife and mother. She wanted to study piano in Europe. Disinherited, she held on to music through years of a failed marriage, illness, and other difficulties.

When her fortunes changed, she threw herself into New York society, music still central in her life. She was a great patron of the arts, contributing to many organizations, and the music club she founded benefited the Italian Red Cross, the Actors Fund, and Veterans Mountain Camp. Lavish operatic productions she sponsored provided well-paying jobs for young musicians at time when they were difficult to find.

Privileged, quirky, and flawed to be sure, some thought she was delusional. Florence lived in her own world, unaware of the discrepancy between the beautiful tones she heard when singing and what she sounded like to everyone else. Still, she was a woman who gave her all to what she loved and believed she was made to do: singing and promoting music. That’s the thought that stayed with me as I left the theater.

Maybe that’s what her fans loved and why they flocked to her concerts. Maybe that’s why today, only Judy Garland and the Beatles are the subject of an equal number of inquiries at Carnegie Hall. Here was a woman who remained true to herself, no matter the circumstances. She loved what she did and brought joy and pleasure to her fans while doing it.

The Magpie by Claude Monet 1869

The Magpie by Claude Monet 1869
PHOTO: Mary van Balen

As I scribbled notes in my journal, reflecting on her life, other thoughts appeared on the page. I noted the young boy in the gospel who offered up his few loaves and fishes when the huge crowd that had been listening to Jesus grew tired and hungry. Not much, but it with God’s blessing, it became enough. And what about the servants who invested the money they had been given by their master rather than burying it out of fear?

I wrote of artists with glorious talent whose paintings moved me to tears at the Musée d’Orsay and the simple string of paper cranes folded from scraps of wrapping paper and spaced by small pieces of a plastic drinking straw that hang in my office, made by an old woman in the streets of Thailand.

Paper Cranes

PHOTO: Mary van Balen
Paper cranes

Gifts seem unevenly given. Life is kinder to some than to others. Yet, every person, from the richest to the poorest, from those who appear most accomplished to those who, by society’s standards, have done little, holds a spark of Divinity to share. Our journey is to discover what that is and to give it away.

That’s all God asks of us: To do the best we can with what we have been given. Not to become overwhelmed by our flaws, deficiencies, or struggles, but to accept ourselves and our gifts and live life with energy, enthusiasm, and love. To the world’s surprise, the offered lives of those considered “least” often change it most profoundly.

The only quote I could find from Florence Foster Jenkins was this: “Some may say that I couldn’t sing, but no one can say that I didn’t sing.

She gave what she had to give. In the end, how it was received was less important than that it was given.

Note: This column marks 30 years of my writing for The Catholic Times. I thank the paper for providing space for me to share reflections on the Sacred that is present in everyday life. I thank you, my readers, and hope that in some small way, these columns have helped you celebrate that Presence in your own lives.

© 2016 Mary van Balen