ALL PHOTOS: Mary van Balen
Shortly after an interview with a journalist from The Catholic Times about blogging, I fought the urge to call him back with another comment about the advantages to blogging: It took me out for a walk in a summer rain.
I used to walk in the rain often. Whether the drops were heavy, soaking through my thick hair to drip down my face or were more like a mist settling on the surface of my mane like shining drops caught in a spider’s web, I relished the openness to what nature had to offer.
This morning I used an umbrella not to protect me, but my camera. The original plan was to take a few photos to use in my blogs, but after just a few minutes I was splashing through deep puddles that filled the alley behind the house, much as I had done as a child.
A few dogs and neighbors backing out of their garages took note of my presence; otherwise, I was alone in a world transformed into a showplace of flowers, weeds, and water.

“Why don’t I do this more often?” I asked myself as I looked down at my Teva-ed feet covered in a muddy stream flowing from the center of the alley into the street. No wonder kids like to stomp into every inch of standing water they can find: The activity is delightful not to mention a relief after days of near 100˚ temperatures.

I took photos of sweet peas shooting above chain link fencing that gave it support and remembered splitting open pods and popping round, green seeds into my mouth. This summer is too young for good picking, but perhaps I will return to see if they still taste as sweet as they did to my ten-year-old self.
Hollyhocks reminded me of dolls my sisters and I made from upside-down blooms that became billowing skirts swirling beneath clothespin heads and pipe cleaner arms.
Like a giant mirror, the watery alley reflected cloudy skies back to the heavens. I wondered if the disturbance of ripples caused by my sploshing along was similar to atmospheric disturbances encountered by light traveling to earth from our sun and its sister stars, or by waves we cannot see.
I thought about Madeleine L’Engle’s wrinkles in time that enabled her young heroes to travel to distant places in the universe. Then I quit thinking, content to enjoy the present moment and the gifts it was handing to me. Plenty of time to reflect later.
© 2010 Mary van Balen
At 10:30pm, having closed our register, covered the display cases, and deposited our cash envelopes, three of us walked out of the store into fresh air. A brilliant spot of light hung on the night’s black sky, looking not unlike the large cubic zirconium stone in a necklace I sold to a young bride-to-be a few hours earlier. One woman waved goodbye and headed for her car. Diana and I stood for a moment, mesmerized by the sight.
“On nights like this,” a friend said years ago as he stood on a country road and gazed at the star splattered dome above us, “I could live on the sky.”
After nine hours of selling bras and underwear and cleaning out dressing rooms, I looked forward to getting off my feet. Hot humid air blew across the parking lot as I looked for the little Civic with an Obama/Biden sticker on the bumper. I collapsed into the driver’s seat, turned the air conditioner on “high” and started the long drive home.
Thirty minutes of sitting quietly in God’s Presence doesn’t sound difficult, but when I am out of spiritual shape, I can’t do it. Signs of spiritual laxity have been evident for a while: lack of energy and focus, interior turmoil, and dwindling hope. Yesterday I decided to do something about it.
Some days when life seems overwhelming, I am drawn to the bane of healthy eating and common sense: Comfort Food! We all have this unique food group that spans those recommended by nutrition czars who devise pyramids and pie charts to keep us on the straight and narrow.
Watching dark plumes of oil and gas rise like dirty clouds from the broken pipe at the BP oil site makes me sick. My stomach turns over when I think of millions of gallons of oil fouling the earth every day. The thought that this will happen day after day for months is unfathomable.
A sizable chunk of the earth is being polluted to death. People who live and work on that coast are watching their way of life disappear. Oil-covered sea turtles struggle to the beach to lay their eggs. That probably won’t happen. Thick sludge is washing into salt-water marshes, called “nurseries” for fish and shrimp. 
While helping me clean my old house, a friend asked if I would miss it when I moved. There are plenty of things I will not miss: non-stop noisy traffic, a one-person kitchen that managed to hold four or five people when the children and I were baking or we hosted a party, and a narrow hallway with four doors that all opened into each other. Of course, all homes have drawbacks.
For over twenty years, when looking out the window over the kitchen sink, I saw a deep yard filled with trees and a gurgling creek that separated our place from a small woods full of wildlife. Below the dining room window in the front of the house is an herb garden bordered with bushy lavender and a crumbling sandstone wall. Whenever I walked past the plants, I ran my hands over its leaves as I passed by, releasing a sweet pungent fragrance that filled the air and lingered on my fingers.
There are abundant spring flowers, so lush and varied that an artist friend who lived above a downtown shop once shared his envy: I would love to have a garden like yours: a bit wild and colorful like an impressionistic painting.
These are the things I cannot take with me; gifts that have blessed me and fed my soul for years. I bequeath these grace-full bits of creation to those who move into this place, whomever they will be. May they be open to wonder and joy so freely given.
A few days ago I had the unusual experience of watching my vocal chords in action. Chronic hoarseness and some difficulty breathing sent me to an ENT specialist. I had gone to one decades before when singing in coffee houses, churches, and at sing-a-longs pushed my voice past its limits, but this time technology had a new tool to offer: a rigid stroboscopic endoscope, or in laymans terms, a long silver tube with a camera that takes a video with soundtrack of ones vocal chords while the patient follows the speech and language pathologists directions for holding pitches and taking deep breaths through the mouth.