Rain—An Icon of Grace

Rain—An Icon of Grace

A photo of rain falling on a stone wall

PHOTO: Mary van Balen

Originally published in The Catholic Times, May 14, 2017

Rain pelted the windows as I fell asleep one Friday night this spring. Thunder rumbled in the distance, occasionally exploding through the thick sky, rattling the window beside my bed. I’ve always loved thunder storms, especially at night when I have nothing else to do but listen and watch for lightning flashes that brighten the darkness for a moment or two.

When I awoke late the following morning, rain was still falling, and heavy clouds shuttered the sky making the house dark enough that I lit a candle for prayer time. Rain drops became my centering “word” as I tried to quiet my mind and simply sit with God. That’s never easy. Managing a minute or two out of twenty without thoughts crashing around in my head is a success. I trust the Holy One appreciates the effort.

But that Saturday morning, rain made a difference. After a while it became an icon of Grace, falling steadily on the world, replenishing Life’s Gift that flows through all creation. I sat for a long time, moving in and out of quiet, trying to be present enough that some of that Gift could find a place in me.

The image of Grace raining down on the world stayed with me all day. I remembered times of exhilaration, running out in a downpour, getting soaked, and tilting my head up towards the sky with my mouth open trying to taste the drops. I also remembered making mad dashes from car to door, trying to avoid rain altogether.

Saturday came and went, but as the new week moved along, the image raised questions. How eagerly do I embrace Grace given. Do I stand with arms outstretched and heart open? Do I let it drench me? Do I stop and listen, no matter where I am or what I’m doing? Do I welcome it in and let it flow out? Or am I too busy, too distracted by noise to hear?

If so, the morning rain said not to worry. Grace is always falling.

Photo of a heavy rain falling on waterlilies on lake at St. Johns

PHOTO: Mary van Balen

I remembered a few favorite scripture verses that speak about rain and God’s provident care:

For just as from the heavens/ the rain and snow come down/ And do not return there/ till they have watered the earth, /making it fertile and fruitful, /Given seed to those who sow/ and bread to those who eat, / so shall my word be/ that goes forth from my mouth;/ It shall not return to me void, /but shall do my will, /achieving the end for which I sent it.  Is 55, 10-11

These words bring hope that God’s Spirit, falling into my deepest places, flows through me as I go about my days, helping me do the work, knowingly or not, that I am made to do.

Sing to the Lord with thanksgiving; / with the lyre make music to our God, /Who covers the heavens with clouds, / provides rain for the earth, / makes grass sprout on the mountains… Ps 147, 7-8

 How important to nurture a grateful spirit, to give thanks for the outpouring of Grace that never stops, recognized or not.

Let us know, let us strive to know the Lord; /whose coming is as certain as the dawn, /and whose judgement shines forth like the light of day! /The Lord will come to us like the rain/like spring rain that waters the earth. Hosea 6, 3

 Trusting that God’s coming “is as certain as the dawn” is difficult when the earth of our hearts is parched or when suffering and injustice in the world overwhelms. Concerns of the heart can tempt it to close in upon itself, to keep Grace running down the outside instead of pouring in.

I have a photo of a rainy afternoon outside the apartment I stayed in one summer during a writing workshop in Minnesota. I think I’ll make a print of it and keep close by—an icon of never-ending Grace and Presence.

©2017 Mary van Balen

Breathe Out Gratitude

Breathe Out Gratitude

Up early, I had time for a walk to the Cambridge Tea House before starting my workday at home. I savored every step in the cool morning air, aware that hot summer days are not far off. Usually, when I stop at the tea house, I’m driving to work.  I pick up a currant scone and eat it in the car. Not Friday. I treated myself to a full breakfast instead. And time to enjoy it.

Sun shining on table set with white tablecloth and two red vases holding succulent plants.

Photo: Mary van Balen

“You have your choice; sit anywhere you’d like,” the young waitress said with a smile as she welcomed me into the just opened dining room.  Sun pushing through a partly cloudy sky brightened the white table cloths and red vases topped with tiny succulents. Beautiful. I passed them by, though, choosing instead to sit at a plain, wooden table with lots of extra space since I planned on doing some writing.

Small celebrations feel good inserted into busy routines. Slowing down to join in friendly conversation and to jot down thoughts in my journal help me cope with disturbing news from around the world and in our country, and to remember the good.  Shortly after I placed my order, the owner/chef came out to chat—one of the perks of frequenting small, local eateries. She works long hours in a small kitchen, turning out delicious food six days a week.

Red teapot, tea cozy, teacup, and journal and pen sitting on a wooden table.

Photo: Mary van Balen

Tea arrived in a bright red pot along with a tea cozy to keep it steamy. Even the cup was heated.  I filled it and brought it close to my face, sniffing the aroma of the Queen Catherine blend. I filled a couple pages in my journal. The long table was the perfect size for a gathering of friends. “Invite people over more often,” I wrote, thinking of the table in my apartment.

Breathe in Grace. Breathe out gratitude.

I was already content when the quiche arrived. Too much food to eat there, I finished what I could, poured what was left in the teapot into a paper cup and snapped on a lid,  bagged up the homemade bread, and peeked into the kitchen to say goodbye.

Breakfast of quiche, toast, cup of fruit, and butter and jam.

Photo: Mary van Balen

Ovens were on, freshly baked bread lined a shelf, and pans and utensils covered counter space.

“Thanks, Mary. Have a good day.” She smiled. “Thanks for coming in. Come back soon.”

The two other women working in the kitchen were busy, too, but smiled their goodbyes.

Breakfast. Ordinary. Extraordinary.

Breathe in Grace. Breathe out gratitude. So easy. So easy to forget.

© 2017 Mary van Balen

Columbus Crossing Borders Project

Columbus Crossing Borders Project

the logo for the Columbus Crossing Borders Project shows silhouettes of immigrants, men, women, and children, against a blue clouded sky. The Columbus Crossing Borders Project was begun by Columbus area artist, Laurie Van Balen, in response to the alarming spread of anti-immigrant sentiment that is sweeping the country. Visit the website to learn more about the artists, traveling art exhibit, and documentary film that is the result of 34 artists, refugees willing to share their stories,  a film crew, and many volunteers.

You can watch parts of the video made by Doug Swift,  meet some of the artists, see their work, and hear some of the refugees’ stories. This project aims to inspire compassion and encourage critical thinking when considering the plight of refugees in our country.

Columbus Crossing Borders Project is working with the Community Immigration and Refugee Services (CRIS) in Columbus.

Currently in production, the traveling art exhibit will open on May 21, at the Cultural Arts Center in Columbus. You are welcome to attend the opening reception:

“As we seek to inspire compassion and support for the 65 million people in our world who are fleeing war, terror, persecution and hardship, The Columbus Crossing Borders Project warmly invites you to attend the initial public presentation of our traveling art exhibit and documentary film.

Sunday, May 21  2 – 6pm    Cultural Arts Center  |  139 W Main St, Columbus, Ohio 43215

This event is being presented with support from the​ Greater Columbus Arts Council.”

I hope to see you there!

What Were They Thinking?

What Were They Thinking?

Oil Painting, "The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection" by Eugène Burnand 1898

The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection by Eugène Burnand 1898
Oil on canvass
Musée d’Orsay

Last spring, while walking down a narrow gallery in the Musée d’Orsay, I looked into a larger room and saw a painting of two men running through the countryside on an early morning. Their dress and faces left no doubt—Peter and John were running to see if Mary of Magdala was  right.

Different gospels tell the story in different ways. In John’s gospel, Mary arrived at the tomb alone in the early morning, saw the stone rolled back, and ran to tell Peter and the others that someone had taken the body. Peter and John ran to see for themselves. John, the author tells us, looked inside, saw the burial cloths, and believed. After Peter and John returned home, Mary remained, and saw two angels who asked her why she was weeping. She answered, turned and saw Jesus, thinking he was a gardener. Only when he spoke her name did she recognize him.

Luke’s gospel tells of the women of Galilee who had followed when Jesus was laid in the tomb and who returned the day after the sabbath, carrying spices and oils they had prepared. They entered the empty tomb and were puzzling over it when two men “in dazzling garments” appeared and told them that Jesus had been raised, as he had said he would be. The women ran to tell the others who thought they were talking nonsense. Only Peter returned to the tomb in this telling and went home amazed. Then comes the story of Jesus appearing to travelers on the road to Emmaus.

Mark’s gospel has two endings. In the shorter one, three women, including Mary Magdalene and Mary the mother of James (both mentioned in Luke’s story) carried spices to anoint the body. They found the stone rolled back and the tomb empty. A young man clothed in white told them that Jesus had been raised and instructed them to go tell the others. But the women, were afraid and told no one.

The longer ending includes Jesus’ early morning appearance to Mary Magdalene who then told the others who were “mourning and weeping.” The didn’t believe her. Next, Jesus appeared to two disciples walking along a country road. They also told the others, who didn’t believe them either.

Matthew’s gospel is similar. The two Mary’s went to the tomb. While they were there, the earth shook, and an angel appeared, rolled back the stone and sat on it. The guards “…became like dead men.” The angel spoke to the women, told them not to be afraid, and invited them in to see where Jesus, now raised from the dead, had been laid. This time, the women were both fearful and overjoyed as they hurried to tell the others. They saw Jesus on their way, and he reassured them: “Do not be afraid,” and instructed them to go tell the others. There is no mention of how the women and their message was received.

Interesting. It was women who went to the tomb. It was women to whom Jesus first appeared and instructed to go tell the others. And, in two of the gospels that report reactions, the women were not believed. In Mark’s, neither were the travelers.

Why not? Was it just that those hearing the women’s story had a low estimation of women’s ability to be sensible in times of stress?  Thought they were hysterical, seeing things, or hearing voices? Maybe. Why not believe the disciples who encountered Jesus while they were walking, trying to comprehend the events of the past two days? We’re not told who they were, if they were men, women, or a couple. Simply disciples.

Close up of Eugène Burnand's paintining

Detail of Eugène Burnand’s painting

Looking at the exquisitely painted faces of Peter and John in Burnand’s painting, I try to put myself in their situation. If the one I had come to love, trust, and believe was going to save me and my people from the oppressive Romans, or as unimaginable as it seemed, was God’s own face in the world, if he had been executed by the occupying powers, I would be overwhelmed with emotions: grief, anger, hopelessness, confusion.

And then, Mary comes with a story that’s too good to be true. Words that stir the ashes of despair and let hope flicker again. I don’t want to believe only to be disappointed all over again. I know what’s it’s like to be vulnerable and to be hurt. And to allow myself to become vulnerable and hurt again.

Still, there is hope, and so I run to see for myself.

Gazing at the faces in the painting, I wonder, “What were they thinking? What did they fear? What did they hope?”

And today, as I celebrate Easter, believing what many still consider nonsense, I ask myself the same things: What am I thinking? What do I fear? What do I hope?

©2017 Mary van Balen

We Walk Together

We Walk Together

The oil painting "Supper" by Joseph Hirsch shows twelve homeless men, shabbily dressed, sitting and eating at an lavishly set table.

“Supper” 1963-1964
Oil on canvas
Joseph Hirsch American 1910-1981
Columbus Museum of Art
Photo: Mary van Balen

Originally published in The Catholic Times, April 9, 2017

On Saturday, I had the unexpected pleasure of spending a few hours in the Columbus Museum of Art. My sister and I slowly moved from one gallery to another, savoring the opportunity to see the world and explore ideas through the eyes and souls of the artists. They “wake us up” to realities easily overlooked as we hurry through our day to day lives, or challenge us to see the world, others, and even ourselves from broadened perspectives.

A small white sign on the wall of a hallway between two larger exhibits proclaimed: “The Extra Ordinary.” It referred to displayed works made of old bricks, cardboard, and other common objects.

I took a closer look at the row of oil paintings of a water glass. The artist, Peter Dreher, had painted the same glass at different times of day and night for years. “What can change?” you might ask. Light. Reflected images. You’d be surprised what you discover by simply focusing on the lines and beauty of something that usually doesn’t get a second glance. Our lives are filled with opportunities to wonder at the creativity and grace evident in objects made by human hands or that are part of nature. “When was the last time you took a close look and really saw?” the artist seemed to be asking.

A room or two later, I stood in front of a painting by Joseph Hirsch titled “Supper.” Twelve men sitting around a long table, sharing food that included bread and wine immediately suggested the Last Supper. Images of Leonardo da Vinci’s mural of Jesus’ final meal with his apostles might spring to your mind, but this painting is different.

Instead of a white Jesus surrounded by men in flowing robes, twelve homeless men of various colors, unkempt and dressed in shabby jackets and coats, eat hungrily, drinking wine from goblets and lifting food to their mouths with silver forks.

No brightly colored clothing here. The men are dressed mostly in grays, blacks, and browns. The brightest things are on the table. A silver serving dish and coffee pot rest on a white table cloth beside serving bowls heaped with fruit and salad. Obvious at the front of the table sits a goblet of wine and a broken loaf of bread.

The contrast between the poverty of the men and the opulence before them is striking. It spoke to the truth that wealth in our country and the world is held by an increasingly small percentage of people while so many are without food or shelter or hope of finding it. I read the signage to learn when “Supper” was painted. It was finished in 1964. “…at about the same time that President Lyndon B. Johnson enacted laws and reforms known as the War on Poverty, designed to aid disadvantaged American communities.”

I counted the people again. Twelve. “Why didn’t Hirsch include a figure to represent Jesus?” I wondered. Gazing at the image, I slowly became aware of Jesus’ presence. No need to paint him. The Christ was there, dwelling in each of those men.

Before leaving, I read the rest of the sign. It ended by noting “…the relevance to the present day of Christian values of compassion and charity for the poor.” I would say “justice.”

As we move into liturgical celebrations of the Last Supper, Good Friday, and Easter, reflecting on this painting’s message could inform our prayer. In 2017, as in 1964, we examine our response to the call to follow Jesus through death to new life—to share God’s Love given to us.

Do we see that Love shining through creation? Do we see the risen Christ in our sisters and brothers? Do we recognize God dwelling in every human being regardless of color, ethnicity, gender, religious faith or lack of it?  Do we share what we have with the poor, the homeless, the immigrants and refugees who live in our neighborhoods and cities and around the globe? Do we foster love and acceptance with our speech as well as actions?

Jesus was God’s face in the world, and it is a face of Love and inclusion, leaving no one out—not Samaritans or gentiles, not women or children. There was no “other.”  We walk together in Christ.

©2017 Mary van Balen

The Mug and Me

The Mug and Me

Close up photo of a cracked coffee cup sitting on office desk

PHOTO: Mary van Balen

I fell in love with a coffee mug. Let me explain. It happened on Friday morning at work. I came in as usual, put my lunch in the refrigerator, walked to my desk, lowered my purse into the drawer, and returned to the kitchen to pour a cup of coffee. Then, back to my cubicle.

After signing in and switching IM and phone from offline to “I’m here” mode, I reached for the coffee and took a sip. That’s when I saw them—the dark lines of old cracks. Starting at the pitted rim, they formed a cross whose long vertical disappeared into the coffee.

Immediately, a physical feeling of kinship with the mug overwhelmed me. I’m not in the habit of falling in love with coffee mugs or other inanimate objects, but I couldn’t deny the strong bond I felt with this piece of ceramics. It wasn’t even a particularly attractive piece, just the generic, workplace mug, white with the company logo on one side and a sponsoring company’s logo on the other. Don’t get me wrong. I’m eternally grateful that my place of work provides not only free coffee all day long, but also real mugs to drink it out of; no Styrofoam or paper cups for us.

Still, compared to the collection of mugs that fill my kitchen cupboard, this one was plain. It wasn’t handmade, wood-fired, or a memento from a special place. But, it had my heart.

It was the cracks. The mug and I, we’ve been places and have the scars to prove it. We have imperfections. Weakness in glazes and materials, perhaps there from the beginning, that make us vulnerable. I can’t speak for the mug, but my journey has delivered some significant hits. I’ve taken them, some more gracefully than others, and moved on.

A level of comfort and acceptance connected the mug and me. I had no desire to return to the kitchen and find a newer, unblemished version. It was content to sit on my desk for the day, holding refills and steeping my tea.

Relieved of the desire for perfection, we were two wounded travelers with no need to hide cracks or gray hairs. We were simply taking the day as it came, just as we were.

© 2017 Mary van Balen

A Time for Stories

A Time for Stories

Close up of springerle cookies

PHOTO: Mary van Balen

Originally published in The Catholic Times, February 12, 2017

On my way to work, I stopped at the Cambridge Tea House to buy a currant scone. The crusty outside is just sweet enough and surrounds a tender center filled with currants. No jam needed. I prefer mine just as they come out of the oven, and when I’m early, they’re still warm.

Waiting for the young woman at the counter to ring up the purchase, I noticed small packages of intricately stamped springerele cookies resting on a glass plate. My daughter and I bake a few hundred each Christmas. Ours are anise flavored and decorated with bells and angels, but these were smaller, almond flavored, and covered with flowers and hearts for Valentine’s Day.

“They’re beautiful,” I said as the tea house owner and baker emerged from the kitchen.

“A local woman makes them,” she volunteered. I picked up one of the clear bags for a closer look. “The recipe’s 150 years old.”

I wondered aloud if she used baker’s ammonia or some other leavening.

“What’s baker’s ammonia? the younger woman asked.

So began the story. I told them about baking springereles using an old family recipe from a friend of my mother. “Baker’s ammonia is used in many old recipes. I used to buy it at pharmacies, but it’s more difficult to find now. You can order it online.” I described our technique that evolved from using a traditional wooden board carved with designs that we pressed into the dough to our current biscuit cutter/cookie stamp routine.

“After we cut and stamp the cookies, we spread them over the counter to dry overnight. Baker’s ammonia is heat activated, so they form a crusty top that keeps the stamped impression crisp when it bakes.”

PHOTO: Mary van Balen

PHOTO: Mary van Balen

As the story unwound, the three of us stood still, caught up not only in my story, but in the personal stories it evoked in each of us. Images from deep heart-places, rising to the surface, pulling along sights, sounds, smells, and emotion as they broke into consciousness. In silence, we breathed stories.

We recognized them in each other’s eyes, memories both unique and the same: delight in the preparation and sharing of special foods with loved ones, anguish faced over steaming cups of tea and coffee, or reverence before moments of grace when the veil of ordinariness slipped away revealing the extraordinary that’s always present.

modern painting circle of five people in an embrace

Painting by Richard Duarte Brown

Motionless, we paused, heartened by our connection. There we were, members of one family, God’s beloved community.

We should give thanks for the humble story, for the telling that reminds us of the basic connection of all human beings. It isn’t “them and us” as some would have us believe. “Other” is a fiction. Really, at the core, we are much the same. How to remember this in times of division?

Sharing story is one way, the ancient sacrament as old as humanity. Sometimes the details are unfamiliar: Details of lives lived as a part of the minority or of the privileged majority; details of living in poverty or in wealth; details of raising children or living as a single person; details of enjoying good health or suffering physical or mental illness. The list is endless.

But, if we listen to the stories of people who at first glance are “not like us,” we recognize common threads: Courage. Fear. Love and need for it. Desire to care for our children. To have enough to eat. The search for meaning and self-expression, acceptance and reverence.

PHOTO: Mary van Balen Rev. Robert Graetz telling his story of the Montgomery Bus Boycott and current civil rights issues to a class of adult learners in the Even Start Program and their guests

PHOTO: Mary van Balen
Rev. Robert Graetz telling his story of the Montgomery Bus Boycott and current civil rights issues to a class of adult learners in the Even Start Program and their guests

There are many stories we need to hear today from people both within and outside our usual circles: stories of people who think like us and those who don’t. People dealing with uncertainties of jobs and homes. There are stories of refugees, undocumented immigrants, ethnic and racial minorities, indigenous people, LGBT people, those who are abused.

Their stories cry out to be heard. Sometimes stories are told in books like “Hidden Figures” and film like the movie “Lion.” An Oscar nominated documentary on James Baldwin, “I Am Not Your Negro,” was released last week, and from reviews I’ve read, it’s filled with stories that can help us better understand race in our country.

Jesus used the power of story, moving his listeners to open their hearts to the stranger, to follow his example, to love. Story has the power to break barriers, to unite, to give heart, to change history. Or, less lofty, to shine the warm light of common humanity on an ordinary morning trek to work.

©2017 Mary van Balen

 

The Call to Love, Right Where We Are

The Call to Love, Right Where We Are

Rita and Mom's hands

PHOTO: Mary van Balen

Originally published in The Catholic Times, January 7, 2017

I spent a nice, low-key last day of 2016. Ran a few errands. Mailed two packages. Share a leisurely lunch with a good friend who came back to my place for a few last Christmas cookies and conversation. As I write and wait for midnight, I hear one of my daughters and friend laughing in the living room, here for a few hours before heading out to a party. A nice, homey, New Year’s Eve.

I admit to looking forward to 2017 with some trepidation, more aware than usual of the uncertainties we face at home and around the world. The issues are not new, but carry an increased sense of urgency: civil rights, immigration, poverty, global warming, terrorism, war.

Over the holidays, a friend shared with me the trauma she is experiencing after returning from working on a documentary in the Holy Land. While she heard lots of talk of Bethlehem as Christmas approached, and the strains of “O Little Town of Bethlehem” filled the air, she was overcome by the suffering she witnessed in the modern occupied city of Bethlehem.

“Both Palestinians and Jewish Israelis, say, ‘There is no such thing as Post Traumatic Stress Disorder here because there is no Post, just traumatic stress disorder’,” she said.

Her experience of one small part of the world speaks to the fear and uncertainty of so many in the global “neighborhood.”

How do we move forward into this new year? As followers of the Christ, how do we bring the love and peace of God’s kingdom into the world? How do we live with hope?

Yesterday, I read the next-to-the-last-last chapter of the Rule of Saint Benedict which spoke of the “good zeal” of monastics: to show respect for the other, to seek what is better for others, to support one another, and to show patience and love. Above all, to love God.

In the face of great challenges, loving those we live with and encounter in our daily lives seems trivial. What difference can such small actions make?

In commentary following the passage from the Rule, Benedictine Joan Chittister speaks to Benedict’s insistence on listening for God’s voice in one another and in the present moment. She recounts a wisdom story from another tradition: A seeker asks the teacher how to reach Enlightenment. The answer is deceptively simple: No special time or place is required. No special way of listening or unique places to look. Being present to the moment, to the people around you, to the place where you are is what is needed. Enlightenment happens there.

painting: The Good van Gogh Samaritan, by Vincent

The Good Samaritan by Vincent van Gogh

Jesus in the gospels tells his followers that the Kingdom of God is now, in the moment, as well as coming. He said whatever we do for the least among us, we do for him. He invited us to live as he lived, present in the moment to his relationship with God and with neighbor. And Jesus’ parable of the Good Samaritan, clearly shows who that neighbor is—everyone.

Why is hearing God’s voice and experiencing God in the moment and in others so difficult? Why is “Practicing the Presence of God,” as the 17th century Carmelite, Brother Lawrence taught, such a challenge? Reading his work of the same title, we realize being truly present to God in ordinary life is a human struggle, not unique to our time.

The temptation is to imagine, like the seeker in Joan’s story, that God is found in extraordinary places. That to participate in transforming the world with Divine Love requires dramatic action, and that only a few exceptionally “holy ones” are called to do so.

As we enter 2017, the temptation is to be overwhelmed and think our lives too small, our actions too insignificant to make a difference. Jesus tells us “not so.” The temptation is to look to others, more powerful, more “important” to do the work. Jesus turns that upside down, too. He called poor fisherman, women, and people on the fringes of society ordinary people, not the religious or political big-wigs of his day to bring Love into the world.

And Jesus assured us that we don’t act alone. Joined with the Source of all that is, our acts of love are part of the Divine Act of Love that confronts darkness and is not overcome. Here is the hope we carry into the new year. Be present. Be aware of God-with-us right where we are. And trust in the power of the Love that flows through us to transform the world.

© 2017 Mary van Balen

Drawing All into the Circle of Love

Drawing All into the Circle of Love

Advent wreath with taper and glass candelabra surroounded by shells, arrowhead, driftwood, and a feather.

PHOTO: Mary van Balen

 

Originally published in The Catholic Times  December 11,2016

After a lovely and unusual Thanksgiving weekend spent with my two sisters and their husbands, I was caught unawares by Advent. Oh, in a vague sort of way I knew it was coming, but I was busy with work, publishing a book, and cleaning the house for my company.

When they left on Saturday afternoon, I ran errands and fell asleep, stretched out on the couch. Then suddenly it was Sunday, and I had not prepared a wreath. Resisting the urge to run out and buy candles, I decided to use what was already around the house.

Over the years, my wreath has evolved into something decidedly untraditional. Forty years ago, inspired by Black Elk (a Lakota holy man who, I later learned, became a Catholic catechist), I sewed and beaded four tiny red leather pouches filled with a mixture of sage and sweet grass symbolic of kinnikinnick used by some Native Americans in their great peace pipes and in other rituals.

The pouches rested on four direction points of the wreath: North, East, South, and West. A feather, shells, and a small buffalo cut from leather also decorated the pine boughs, a reminder that God is the Creator of all things, and that all things are made holy by the Incarnation.

Eventually, allergies and bronchitis set off by aromatic resin and the mold that clung to the freshly cut pine necessitated its removal. I thought about artificial greenery but decided against it.

four vigil candles arranged on linen surrounded by tiny read leather pouches, feeather, shell, and other items for Advent wreathit

PHOTO: Mary van Balen

Instead, I used beeswax vigil candles arranged on a round linen doily or tray covered with a deep blue napkin. The little pouches, feather, shells, and buffalo remained. A stone from the shores of the Sea of Galilee, gift of a friend, became a regular addition. Once I added a bird’s nest and soft, dried pampas grass plumes. Everything belongs in this circle. We stand on holy ground.

This year, I found tucked in a drawer some beeswax candles from Burton Parish, the colonial Episcopalian church in Williamsburg, VA. The tapers would just fit into the two simple glass candelabra that my parents had used to decorate the table at their wedding reception.

I washed and dried the candle holders, remembering an old photo of my parents, their families, and friends gathered around a long table in Dad’s family home for the celebration. The candelabra would gather my family and the human family into the circle of my “wreath.”

Along with the usual items, a wooden frog from Thailand, a fossil scallop picked up along the York River under Super Moon’s shine, a smooth piece of chert from a Paris walkway, and an arrowhead found on a Cape Cod beach joined the circle.

All the earth sits with me as I light the candles and remember the mystery of Jesus walking with us. Each night my parents and ancestors sit with me as do the people who were here first and who struggle still to protect the land and water that sustain us all. I am reminded of the ages and ages of this earth, of the creatures that filled it. The plants and animals, the birds and the sea creatures. We are a small part of an unimaginably huge cosmos. God loves it all and entered into our little corner to show us just how much.

The words of Isaiah that appear throughout our Advent liturgies overflow with images of nature. Crooked paths made straight. Parched land exulting. Steppes rejoicing and blooming with abundant flowers. Enemies, the lion and the lamb, lying down together. An old stump that looks dead sprouts a green shoot. Things are not always what they appear to be.

Isaiah says God will not judge by appearance. God stands with the poor and stands for justice.

Glorious words.

Four beeswax vigil candles in glass holders, surrounded by birds nest and other natural objects used as an Advent wreath

PHOTO: Mary van Balen

I sit at my dining room table, looking at my “wreath” and longing for such a time. Advent tells me that time is already here. We celebrate Emanuel, God-with-us. Jesus draws the circle that encompasses all and invites us to join the work. He showed us how to live our lives, a part of God’s own, so the circle continues to grow in our time and place.

I sit at my dining room table, watching candle flames push away early morning darkness, and I have hope.

© 2016 Mary van Balen

Seeing Everything Shining Like the Sun

Seeing Everything Shining Like the Sun

Photo of a domed stained glass window In Church in Rome, Italy, depicting the universe.Originally published in The Catholic Times, November 12, 2016 issue

Liturgically speaking, November begins with celebrating the holy ones who have gone before and who live among us: the saints and the saints-becoming. Canonized or not, they are those who open our eyes to both the presence of God-with-Us and to the responsibility to reverence that Presence in how we live our lives.

What if we looked at this month through the eyes of the saints? Would we see things we usually overlook? Would we be moved to act in ways out of our ordinary routines?

Trees blazing with color will soon drop their leaves and stand starkly against winter skies. On some days, snow will cling to their branches and cover the ground. Beauty has many faces. Growth often happens deep within, out of sight. While autumn’s riot of color shouts, winter’s muted palette speaks in whispers. Silence guards the life that has withdrawn to the center, content to wait and gather strength.

The great contemplatives speak of encountering God within, spending silent time resting in the Sacred Presence. Often, though, in the midst of contemplative practice, nothing much seems to be going on other than distractions. When tempted to wonder where God is in those times, we can remember the winter trees and landscape where the mystery of life deepens unseen.

The saintly scientists invite us to encounter God in the ordinary and spectacular realities of the universe. St. Hildegard of Bingen living in the 12th century, wrote about ecology, natural science, and medicine. St. Albert the Great, whose feast we celebrate next week, was a philosopher and scholar recognized for his knowledge and writing not only about theology but also about the sciences including physics, and astronomy.

Watching the super moon rise on November 14 or gazing at the dance of the moon and planets can be worship.

Pierre Teilhard de Chardin, a Jesuit priest born in the late nineteenth century was a mystic and accomplished geologist and paleontologist. His vision of the evolutionary nature not only of matter but of spirit and his understanding of the Cosmic Christ continues to inspire today.

Looking with these saints helps us see not only the magnificence of creation, but also the connectedness of all things. We are a small part of a universe beyond imagining. From the perspective of such immensity we become aware of our place in the world, participants in Infinite Life. What happens to one affects us all.

The great challenges of our time require such a universal view. Pope Francis has emphasized our moral obligation to respond to protect the earth. He also calls us to be merciful and to create a culture of encounter with one another.

How many stories are told of saints who lived their lives serving the poor and marginalized, the sick and suffering? Elizabeth of Hungary, whose feast is also celebrated next week, was a queen and mother who gave herself so whole-heartedly to sharing her fortune with the poor and nursing the sick, that, when her husband died on the way to battle, she was thrown out into the street by his parents who were offended by her discipline of prayer and good works!

Monument to the Immigrant in New Orleans. A statue depicting a female muse whose flowing gown leads to family of four immigrants. By Franco Alessandrini (1944), American sculptor of New Orleans

Monument to the Immigrant. 1995 New Orleans by Franco Alessandrini (1944), American sculptor of New Orleans.
Dedicated to the courageous men and women who left their homeland seeking freedom, opportunity, and a better life in a new country.
Photo: Mary van Balen

Martin de Porres entered a Dominican monastery as a lowly lay helper, but spent much of his life using gifts for healing not only tending the monks, but also the poorest in his city of Lima, Peru.

Today as millions of refugees leave their homelands destroyed by wars and violence, looking for a safer place to live and raise their families, we do well to remember how these saints saw every person. St. Benedict instructed his monks to greet every stranger who came to the monastery door as Christ. Mother Teresa saw the face of Jesus in every dying person she lifted from the street. How do we see these people, fleeing for their lives? How do we welcome them when they arrive at our shores?

The Trappist monk Thomas Merton wondered at God dwelling within every person he saw at a busy intersection in Louisville, Kentucky: “…There is no way of telling people that they are all walking around shining like the sun!”

When we are able to see the hand of God in every speck of earth or distant star, to recognize the Holy Presence in others, or to trust the Indwelling in ourselves, we can pray for Grace so, like the holy ones who have gone before us, we will reverence the Sacred that is in our midst or knocking on our doors.

©2016 Mary van Balen