Icons: Windows into God

Icons: Windows into God

Photo of Thai stamps showing image of Guan Yin

Photo: Mary van Balen

In Icons: Windows into God, the lead article in the October 2017 issue of Celebration published by the National Catholic Reporter, I expand the definition of “icon” to include objects, physical representations, or metaphors that have become windows drawing us into communion with the Holy Mystery. From impressionistic masterpieces in the Musée d’Orsay, to the Asian bodhisattva Guan Yin, to the constellations, the world full of images that enrich and enlarge our experience of God who is beyond all images.

The medieval theologian and mystic Meister Eckhart said that no one could ever have found God. No, The Divine gave the Godself  away.

There is no place or time where God is not. Holy Mystery does not hide. But to see, we must pay attention—and look  through all the “windows” we can.

Click the link below to read the article:

Icons: Windows into God Finding glimpses of God in unexpected places

“Breathe Free”: Columbus Crossing  Borders Project Documentary

“Breathe Free”: Columbus Crossing Borders Project Documentary

Poster with information on he Columbus Crossing Borders Project's documentary opening at The Drexel Theater in Bexley, Ohio, August 10, 2017. The poster shows an artist working on a painting for the project

On Thursday, August 10, 2017, the Columbus Crossing Borders Project documentary, BreatheFree, premiered to a sold out audience at The Drexel theater in Bexley, Ohio. In order to accommodate those unable to attend the first show, a second screening was scheduled for later that same evening.

Breathe Free features the stories of five refugees as well as the creative processes of some of the 34 artists participating in this project.

According to Laurie Van Balen, project director and producer, The Columbus Crossing Borders Project was created in response to the alarming levels of anti-immigration sentiment and racism being stirred throughout our country. The project consists of 34 painters and a film crew employing art as a means to instigate critical thinking and compassion for the millions of refugees in our world.

The Columbus Dispatch published an article about the documentary and exhibit in the Weekender section of the August 10, 2017 edition of the newspaper.

Next showing and exhibit

Breathe Free will be shown at The Drexel Theater again on August 31 at 8:30pm in conjunction with the reception—5-7:30pm—at the exhibit of the 34 paintings on display at that time at the Schumacher Gallery at Capital University. The exhibit opens there on August 28 and runs through Sept. 1.

Both the exhibit and the documentary will continue to be shown in locations around Ohio and other venues around the country. To learn more about the Columbus Crossing Borders Project and future dates to view it, visit the CCBP website.  You can see a trailer for video here.

Paintings and artist statements

Oil painting, "Waiting" by Mark Gingerich, which shows a mother and two children, refugees waiting for a place to go

“Waiting” by Mark Gingerich oil on canvas 20″ x 24″

Waiting

​”When I came across the image of a Muslim refugee family waiting to be received by a host country, I was struck with the sense of helplessness conveyed. It is a powerful image that I believe captures the spirit of the plight of the refugees. Thus, with the permission of Irish photographer Andrew McConnell, I have painted “Waiting.”   Mark Gingerich

 

Gaye Reissland

 

Painting by Gaye Reissland of diverse group of poeple with hands held high forming a heart shape with their fingers while approaching the Statue of Liberty.

Gaye Reissland acrylic on canvas 26″ x 12″

My painting is putting the world on notice that the poem “The Great Colossus” inscribed at the base of The Statue of Liberty still stands true in the hearts and minds of the majority of Americans! We are a nation filled with immigrants and their descendants. The vast majority of us want to welcome our brothers and sisters whether they are refugees or have a dream that includes the potential prosperity our great nation. Our nation stands great because of its diversity and willingness to open its doors to those ‘huddled masses yearning to breathe free.’  Gaye Reissland

 

Virginia Carvour

Painting of a refugee woman holding a small child

Virginia Carvour acrylic on canvas 16 x 20

Devastation

noun

1. great destruction or damage

2. severe and overwhelming shock or grief

 Empathy

noun

  1. the ability to understand and share the feelings of another

 Refugee

noun

  1. a person who flees for refuge or safety, especially to a foreign country, as in time of political upheaval or war, etc.

Virginia Carvour

Saint Bonifacia’s Ordinary Way

Saint Bonifacia’s Ordinary Way

a photo of Saint Bonifacia Rodriguez y Castro S.S.J.Originally published in The Catholic Times Aug. 13, 2017

This week’s liturgical calendar celebrates the lives of three women saints: St. Teresa Benedicta of the Cross (Edith Stein), St. Clare, and Saint Bonifacia Rodriguez y Castro. If you’re like me, you’re familiar with the first two. But who was the third, Saint Bonifacia?

Her memorial is listed as August 7, 8, or 9th, depending on where you look, but a little research provided an inspiring portrait of the woman. Bonifacia was born in 1837, the oldest of six children, to a poor couple in Salamanca, Spain. Her father was a tailor who worked in his shop at home. Bonifacia learned not only his craft, but she and her siblings also witnessed the deep faith of both parents, lived simply in their home and community.

Her father died when she was fifteen, and Bonifacia began working for others outside her home. Eventually, she set up a shop in the family home, making and selling cords, lace, and other trimmings to support herself and her mother. Inspired by the quiet life of Mary, Joseph, and Jesus, she saw her home and shop as a little Nazareth where work and prayer were intertwined. Along with her mother, Bonifacia made daily visits to a nearby Jesuit-run church.

Other young women, attracted to her and her way of life, began to gather at her home on Sunday’s and feast days, finding a safe place to gather and support one another with prayer and Scripture, listening and encouraging as women do. The house-shop became a safe haven for women to work and pray.

Though Bonifacia longed to become a Dominican, the Jesuit priest at her church, Francisco Javier Butiña y Hospital (her spiritual director), had another idea. His deep concern for the plight of post Industrial Revolution factory workers and respect for the path to holiness through ordinary work resonated with Bonifacia. He suggested that together they establish a congregation to protect the women workers and promote a spirituality that embraced manual work as a way to holiness, not an impediment. The congregation became known as the Servants of Saint Joseph.

This was a new form for a women’s congregation, and while supported by some and by the local bishop at the time of its foundation, it later met with resistance from those more comfortable with women in convents. Like many before her, she suffered for her vision and determination to remain faithful to it.

As Saint John Paul II said in his homily at her beatification, “It was a form of religious life too daring not to have opposition. Immediately it was attacked by the then traditional diocesan clergy of Salamanca who does not grasp the evangelical depth of this form of life which is very close to the world of work.”

While this column doesn’t provide space to tell all her story, I can emphasize the importance her life and vision have for us today. Despite Vatican II’s insistence that the call to holiness is given to everyone and is found in all walks of life, many church faithful, clergy and lay alike, still think the path to sanctity is somehow separate from ordinary life. Holiness is seen best pursued in convents, monasteries, or rectories. Or at least in occupations connected with church or overtly religious activities.

Bonifacia knew better. Through prayer and reflection, she recognized God’s call deep within and trusted it, remaining faithful when others opposed and mistreated her. It’s easy to doubt the word that God speaks in our hearts, the call that directs us to bring God into the world in a way uniquely given to each of us, right where we are.

Bonifacia also knew that we don’t walk the path to God alone. We walk together. As she said, “We should be all for all, following Jesus.”  But trusting God’s indwelling in the “other” is a challenge, especially if the “other” looks different than we do, speaks a different language, or has views different than our own. Despite its difficulty, this ordinary path transforms the world by our taking God’s Presence into it.

The world needs people committed to this simple way of prayer and bringing God we come to know within into the streets and workplaces. Not by heavy handed evangelizing and dogma, but by living with love and joy, responding to the needs of those we encounter. By truly listening to “others,” open to recognize and receive God who dwells in their hearts. And like Bonifacia, by having courage to speak our truth to power. To do something different in familiar places.

©2017 Mary van Balen

Fountain Fullness and Good Stewardship

Fountain Fullness and Good Stewardship

éFirst published in The Catholic Times  July 16, 2017 issue

Close up of fountain at the Vatican

PHOTO: Mary van Balen

And since the nature of goodness is to diffuse itself…the Father is the fountain-fullness of goodness.        Ilia Delio

Yet access to safe drinkable water is a basic and universal human right, since it is essential to human survival and, as such, is a condition for the exercise of other human rights.      Pope Francis

Standing Rock is everywhere.   Chief Arvol Looking Horse

 

Water has been on my mind. As Ilia Delio, O.S.F. writes in Simply Bonaventure: An Introduction to His Life, Thought, and Writing, the 13th century saint whose feast we celebrate on July 15 referred to the first principle of the Godhead as the fountain-fullness of goodness. (Bonaventure referred to this self-diffusive Goodness as “Father,” not in a biological manner, but in the sense that God is generative, Delio explains.)

I first heard this phrase over fifteen years ago while attending a lecture by Delio. When she made time for questions, I was unable to formulate any but sat in silence allowing some of the imagery and expansive thought she presented to find a place within me. The image of God as infinite fountain-fullness, pouring out Divine self, has always remained.

Niagra Falls

PHOTO: Mary van Balen

I’ve thought of it while standing at Niagara Falls, getting soaked in a rainstorm, or while drinking a refreshing glass of water: God, ever-flowing outward, creating and sustaining all.

In his encyclical, Laudato Si’, from the conviction that “…everything in the world is connected…” Pope Francis reminds us that fresh drinking water holds primary importance because “… it is indispensable for human life and for supporting terrestrial and aquatic ecosystems.” As with the effects of other instances of environmental degradation, the lack of clean water and the consequences of that fall most heavily upon the poor.

He addresses the people of the world, calling for a change of lifestyles of consumption and immediate gratification into lifestyles of sacrifice and sharing. Pope Francis quotes Patriarch Bartholomew’s eloquent words saying we all need to repent since in some ways we have all harmed the planet.

That realization deepened for me when I recently viewed a water bill for my apartment. The amount of water used was surprising.

I began to notice that water usually runs while I wash my hands and brush my teeth. Without a dishwasher, I often fill the sink with soapy water, even when only a few plates and glassed need cleaned. As weeks passed, water and my consumption of it became an exercise in mindfulness. A big water drinker, I usually find two or three half-filled glasses on tables or counters at bedtime. No longer dumped down the drain, the extra now waters my plants. In a month’s time, my water use decreased by half.

Who would’ve thought that such small efforts would make a difference? Patriarch Bartholomew realized that we all “generate small ecological damage.” Some is unavoidable; some is not.

Water came to mind again this week when a longtime friend sent a copy of an article published in the June 26 issue of America Magazine. “The Spirituality of Standing Rock: Activists see a moral imperative for protecting our water” by Eileen Markey begins with the historic gathering of Native Americans and their supporters from around the globe at the Standing Rock Sioux Reservation in North Dakota to prayerfully protest the building of the Dakota Access Pipeline under their water supply.

“Water is life,” the women said. While oil now flows beneath their land, the stand to protect the environment, particularly the water, continues as groups and individuals across the country carry on the protests, calling for action from governments, corporations, groups, and individuals. The setback at Standing Rock was not the end of the issue.

“Standing Rock is everywhere,” Lakota chief Arvol Looking Horse said in the article. Indeed, it is.

Summer, with its long spells of hot, dry days interspersed with sudden storms or a day or two of soft showers, is a good time to reflect on water and how we use it. To change wasteful habits. To stand with Pope Francis in his call to work together to move into lifestyles that reflect reverence for the earth and recognition of the importance of good stewardship, especially as it affects the poor. And it is a good time to join our voices with that of Saint Francis, in thanksgiving and in praise of the Creator, the Fountain-Fullenss, the source of all that is.

© 2017 Mary van Balen

Connecting through the Columbus Crossing Borders Project

Connecting through the Columbus Crossing Borders Project

Project Director of the Columbus Crossing Borders Project speaking to audience

PHOTO: Mary van Balen

People gathered at the Martin de Porres Center last Sunday to see the traveling art exhibit, Columbus Crossing Borders Project, and to hear Project Director/Producer, Laurie Van Balen, share its vision and mission.

She spoke of the refugee crises around the world and in our country and the need to welcome the “other” into our spaces: our country, cities, neighborhoods, and home.

Before and after her presentation, people viewed the exhibit of 34 paintings by Ohio artists whose work draws the viewer into some aspect of the reality of the refugees’ journeys, hardships, and successes.

a mother and daughter viewing an art exhibit

PHOTO: Mary van Balen

People took their time, reading the artists statements that were posted below the paintings. Pointing out how some element of each painting crossed over into the space of the painting to its right—crossing borders and creating a powerful visual testimony to the love, strength, and resilience that sustain those who must flee their countries and build a new home in a strange land.

“I had to move away from the group of people looking at the painting with me,” one woman confided. Her eyes were filled with tears. “I was afraid they’d ask me something, and, well, I just couldn’t speak. It’s overwhelming.” She paused for a moment and then said, “How could anyone think these wonderful people have nothing to offer to us, to our country? How many gifts they bring!”

Conversations like this or the longer ones among artists, refugees, immigrants, and others gathered around the tables or standing in clusters in the room, are one of the most important result of this amazing exhibit. It opens hearts. It opens doors. People share and get to know one another. Like the title of this project suggest, they cross their own borders and leave enriched and changed in some way. Come, and experience it for yourself.

the logo for the Columbus Crossing Borders Project shows silhouettes of immigrants, men, women, and children, against a blue clouded sky.

The Columbus Crossing Borders Project is currently being exhibited at:  the Martin de Porres Center, 2330 Airport Drive, Columbus, Ohio through June 30.

Next exhibit: Schumacher Gallery at Capital Univeristy, 2199 E Main St, Columbus OH from August 28 – September 2 with a reception on August 31.

For more information visit the Columbus Crossing Borders Project website

Yesterday is history. Tomorrow is mystery. Today is…

Yesterday is history. Tomorrow is mystery. Today is…

Photo of a flooded alley

PHOTO: Mary van Balen

Hank is one of my favorite people. I don’t know him well, but I’m getting there. At the end of most work days I stop and talk with him on my way out. We talk about politics and religion despite conventional wisdom that warns against it. He shares memories of growing up in this city, keeps me updated on jazz events around town. I’ve lent him books and articles, and he drops nuggets of wisdom he’s learned along the way.

The other day we were talking about a recent column I’d written, “Rain, an Icon of Grace,” that shared my experience of God’s Grace always pouring over us, refreshing and renewing us, like rain nourishes the earth.

Chair in rain on patio

PHOTO: Mary van Balen

“It made me think of growing up,” he said. “I’ve always loved the rain and storms. Listening to it on the roof or hitting the windows. When I was little, I used to sit on the porch during heavy rains and watch the water pour down from the overflowing gutters along the overhang above my head. I was mesmerized. You know how it is when you are so young. Everything looks big and amazing. The rain looked like a waterfall. I could sit there for hours.”

From there our conversation turned to Grace and the importance of being present to it, like Hank was present to the beauty of the rain gushing down during the storm all those years ago.

“You know that saying,” Hank continued. “Yesterday is History. Tomorrow is Mystery. Today is Blessing.”

Hollyhock blossom in rain

PHOTO: Mary van Balen

I didn’t know that saying. But since he shared it with me, it has become a constant prayer. A reminder of God’s Grace present in the moment and the futility of fretting over what cannot be changed or worrying about things that may or may not happen. I’m prone to do both. Thanks to Hank, the past and the future are less successful at pulling me away from the present. His short saying became a mantra. “Yesterday is history,” I say to regret. “Tomorrow is mystery,” I throw back at worry. “Today is blessing.” I take a deep breath and remember this is so. And remember a little boy soaking it up on his porch.

Rain—An Icon of Grace

Rain—An Icon of Grace

A photo of rain falling on a stone wall

PHOTO: Mary van Balen

Originally published in The Catholic Times, May 14, 2017

Rain pelted the windows as I fell asleep one Friday night this spring. Thunder rumbled in the distance, occasionally exploding through the thick sky, rattling the window beside my bed. I’ve always loved thunder storms, especially at night when I have nothing else to do but listen and watch for lightning flashes that brighten the darkness for a moment or two.

When I awoke late the following morning, rain was still falling, and heavy clouds shuttered the sky making the house dark enough that I lit a candle for prayer time. Rain drops became my centering “word” as I tried to quiet my mind and simply sit with God. That’s never easy. Managing a minute or two out of twenty without thoughts crashing around in my head is a success. I trust the Holy One appreciates the effort.

But that Saturday morning, rain made a difference. After a while it became an icon of Grace, falling steadily on the world, replenishing Life’s Gift that flows through all creation. I sat for a long time, moving in and out of quiet, trying to be present enough that some of that Gift could find a place in me.

The image of Grace raining down on the world stayed with me all day. I remembered times of exhilaration, running out in a downpour, getting soaked, and tilting my head up towards the sky with my mouth open trying to taste the drops. I also remembered making mad dashes from car to door, trying to avoid rain altogether.

Saturday came and went, but as the new week moved along, the image raised questions. How eagerly do I embrace Grace given. Do I stand with arms outstretched and heart open? Do I let it drench me? Do I stop and listen, no matter where I am or what I’m doing? Do I welcome it in and let it flow out? Or am I too busy, too distracted by noise to hear?

If so, the morning rain said not to worry. Grace is always falling.

Photo of a heavy rain falling on waterlilies on lake at St. Johns

PHOTO: Mary van Balen

I remembered a few favorite scripture verses that speak about rain and God’s provident care:

For just as from the heavens/ the rain and snow come down/ And do not return there/ till they have watered the earth, /making it fertile and fruitful, /Given seed to those who sow/ and bread to those who eat, / so shall my word be/ that goes forth from my mouth;/ It shall not return to me void, /but shall do my will, /achieving the end for which I sent it.  Is 55, 10-11

These words bring hope that God’s Spirit, falling into my deepest places, flows through me as I go about my days, helping me do the work, knowingly or not, that I am made to do.

Sing to the Lord with thanksgiving; / with the lyre make music to our God, /Who covers the heavens with clouds, / provides rain for the earth, / makes grass sprout on the mountains… Ps 147, 7-8

 How important to nurture a grateful spirit, to give thanks for the outpouring of Grace that never stops, recognized or not.

Let us know, let us strive to know the Lord; /whose coming is as certain as the dawn, /and whose judgement shines forth like the light of day! /The Lord will come to us like the rain/like spring rain that waters the earth. Hosea 6, 3

 Trusting that God’s coming “is as certain as the dawn” is difficult when the earth of our hearts is parched or when suffering and injustice in the world overwhelms. Concerns of the heart can tempt it to close in upon itself, to keep Grace running down the outside instead of pouring in.

I have a photo of a rainy afternoon outside the apartment I stayed in one summer during a writing workshop in Minnesota. I think I’ll make a print of it and keep close by—an icon of never-ending Grace and Presence.

©2017 Mary van Balen

Breathe Out Gratitude

Breathe Out Gratitude

Up early, I had time for a walk to the Cambridge Tea House before starting my workday at home. I savored every step in the cool morning air, aware that hot summer days are not far off. Usually, when I stop at the tea house, I’m driving to work.  I pick up a currant scone and eat it in the car. Not Friday. I treated myself to a full breakfast instead. And time to enjoy it.

Sun shining on table set with white tablecloth and two red vases holding succulent plants.

Photo: Mary van Balen

“You have your choice; sit anywhere you’d like,” the young waitress said with a smile as she welcomed me into the just opened dining room.  Sun pushing through a partly cloudy sky brightened the white table cloths and red vases topped with tiny succulents. Beautiful. I passed them by, though, choosing instead to sit at a plain, wooden table with lots of extra space since I planned on doing some writing.

Small celebrations feel good inserted into busy routines. Slowing down to join in friendly conversation and to jot down thoughts in my journal help me cope with disturbing news from around the world and in our country, and to remember the good.  Shortly after I placed my order, the owner/chef came out to chat—one of the perks of frequenting small, local eateries. She works long hours in a small kitchen, turning out delicious food six days a week.

Red teapot, tea cozy, teacup, and journal and pen sitting on a wooden table.

Photo: Mary van Balen

Tea arrived in a bright red pot along with a tea cozy to keep it steamy. Even the cup was heated.  I filled it and brought it close to my face, sniffing the aroma of the Queen Catherine blend. I filled a couple pages in my journal. The long table was the perfect size for a gathering of friends. “Invite people over more often,” I wrote, thinking of the table in my apartment.

Breathe in Grace. Breathe out gratitude.

I was already content when the quiche arrived. Too much food to eat there, I finished what I could, poured what was left in the teapot into a paper cup and snapped on a lid,  bagged up the homemade bread, and peeked into the kitchen to say goodbye.

Breakfast of quiche, toast, cup of fruit, and butter and jam.

Photo: Mary van Balen

Ovens were on, freshly baked bread lined a shelf, and pans and utensils covered counter space.

“Thanks, Mary. Have a good day.” She smiled. “Thanks for coming in. Come back soon.”

The two other women working in the kitchen were busy, too, but smiled their goodbyes.

Breakfast. Ordinary. Extraordinary.

Breathe in Grace. Breathe out gratitude. So easy. So easy to forget.

© 2017 Mary van Balen

Columbus Crossing Borders Project

Columbus Crossing Borders Project

the logo for the Columbus Crossing Borders Project shows silhouettes of immigrants, men, women, and children, against a blue clouded sky. The Columbus Crossing Borders Project was begun by Columbus area artist, Laurie Van Balen, in response to the alarming spread of anti-immigrant sentiment that is sweeping the country. Visit the website to learn more about the artists, traveling art exhibit, and documentary film that is the result of 34 artists, refugees willing to share their stories,  a film crew, and many volunteers.

You can watch parts of the video made by Doug Swift,  meet some of the artists, see their work, and hear some of the refugees’ stories. This project aims to inspire compassion and encourage critical thinking when considering the plight of refugees in our country.

Columbus Crossing Borders Project is working with the Community Immigration and Refugee Services (CRIS) in Columbus.

Currently in production, the traveling art exhibit will open on May 21, at the Cultural Arts Center in Columbus. You are welcome to attend the opening reception:

“As we seek to inspire compassion and support for the 65 million people in our world who are fleeing war, terror, persecution and hardship, The Columbus Crossing Borders Project warmly invites you to attend the initial public presentation of our traveling art exhibit and documentary film.

Sunday, May 21  2 – 6pm    Cultural Arts Center  |  139 W Main St, Columbus, Ohio 43215

This event is being presented with support from the​ Greater Columbus Arts Council.”

I hope to see you there!

What Were They Thinking?

What Were They Thinking?

Oil Painting, "The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection" by Eugène Burnand 1898

The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection by Eugène Burnand 1898
Oil on canvass
Musée d’Orsay

Last spring, while walking down a narrow gallery in the Musée d’Orsay, I looked into a larger room and saw a painting of two men running through the countryside on an early morning. Their dress and faces left no doubt—Peter and John were running to see if Mary of Magdala was  right.

Different gospels tell the story in different ways. In John’s gospel, Mary arrived at the tomb alone in the early morning, saw the stone rolled back, and ran to tell Peter and the others that someone had taken the body. Peter and John ran to see for themselves. John, the author tells us, looked inside, saw the burial cloths, and believed. After Peter and John returned home, Mary remained, and saw two angels who asked her why she was weeping. She answered, turned and saw Jesus, thinking he was a gardener. Only when he spoke her name did she recognize him.

Luke’s gospel tells of the women of Galilee who had followed when Jesus was laid in the tomb and who returned the day after the sabbath, carrying spices and oils they had prepared. They entered the empty tomb and were puzzling over it when two men “in dazzling garments” appeared and told them that Jesus had been raised, as he had said he would be. The women ran to tell the others who thought they were talking nonsense. Only Peter returned to the tomb in this telling and went home amazed. Then comes the story of Jesus appearing to travelers on the road to Emmaus.

Mark’s gospel has two endings. In the shorter one, three women, including Mary Magdalene and Mary the mother of James (both mentioned in Luke’s story) carried spices to anoint the body. They found the stone rolled back and the tomb empty. A young man clothed in white told them that Jesus had been raised and instructed them to go tell the others. But the women, were afraid and told no one.

The longer ending includes Jesus’ early morning appearance to Mary Magdalene who then told the others who were “mourning and weeping.” The didn’t believe her. Next, Jesus appeared to two disciples walking along a country road. They also told the others, who didn’t believe them either.

Matthew’s gospel is similar. The two Mary’s went to the tomb. While they were there, the earth shook, and an angel appeared, rolled back the stone and sat on it. The guards “…became like dead men.” The angel spoke to the women, told them not to be afraid, and invited them in to see where Jesus, now raised from the dead, had been laid. This time, the women were both fearful and overjoyed as they hurried to tell the others. They saw Jesus on their way, and he reassured them: “Do not be afraid,” and instructed them to go tell the others. There is no mention of how the women and their message was received.

Interesting. It was women who went to the tomb. It was women to whom Jesus first appeared and instructed to go tell the others. And, in two of the gospels that report reactions, the women were not believed. In Mark’s, neither were the travelers.

Why not? Was it just that those hearing the women’s story had a low estimation of women’s ability to be sensible in times of stress?  Thought they were hysterical, seeing things, or hearing voices? Maybe. Why not believe the disciples who encountered Jesus while they were walking, trying to comprehend the events of the past two days? We’re not told who they were, if they were men, women, or a couple. Simply disciples.

Close up of Eugène Burnand's paintining

Detail of Eugène Burnand’s painting

Looking at the exquisitely painted faces of Peter and John in Burnand’s painting, I try to put myself in their situation. If the one I had come to love, trust, and believe was going to save me and my people from the oppressive Romans, or as unimaginable as it seemed, was God’s own face in the world, if he had been executed by the occupying powers, I would be overwhelmed with emotions: grief, anger, hopelessness, confusion.

And then, Mary comes with a story that’s too good to be true. Words that stir the ashes of despair and let hope flicker again. I don’t want to believe only to be disappointed all over again. I know what’s it’s like to be vulnerable and to be hurt. And to allow myself to become vulnerable and hurt again.

Still, there is hope, and so I run to see for myself.

Gazing at the faces in the painting, I wonder, “What were they thinking? What did they fear? What did they hope?”

And today, as I celebrate Easter, believing what many still consider nonsense, I ask myself the same things: What am I thinking? What do I fear? What do I hope?

©2017 Mary van Balen